Visual effects supervisors Charmaine Chan, Andrew Roberts, and Simone Coco share their experiences working together on the Oscar-nominated Jurassic World Rebirth.
Teams from Andor, Sinners, and Avatar: Fire and Ash were recognized at the ceremony in Los Angeles.
ILM artists Ian Milham and Shannon Thomas take us behind the scenes of in the second of a two-part story about the 2024 Summer Olympics in Paris and 2026 Winter Olympics in Milan.
ILM artists Ian Milham and Shannon Thomas take us behind the scenes of a breakthrough virtual production shoot in the first of a two-part story about the 2024 Summer Olympics and 2026 Winter Olympics.
Three artists from the San Francisco studio share insights about their work on the 2025 mixed reality playset from ILM and Lucasfilm.
ILM’s innovative approach leads the way for more than 1,700 visual effects shots, helping bring Wright’s dystopian action thriller to life.
One of the biggest days in American sports is equally renowned for its iconic commercial spots.
The visual effects supervisor discusses ILM’s contributions to director Ryan Coogler’s supernatural sensation, which is nominated for “Outstanding Supporting Visual Effects in a Photoreal Feature” at the VES Awards.
ILM artists share their insights about this distinct installation now on view at Somerset House in London.
Three artists from the San Francisco, Vancouver, and London studios share insights about their work on the 2025 Netflix production, The Eternaut.
Frankenstein and The Lost Bus are recognized while ILM also contributes to two other nominated films.
ILM artists for Jurassic World Rebirth and The Lost Bus earn nominations.
Cutting-edge digital artistry, modern inspiration, and retro callbacks help launch the latest Tron adventure from the cyber world into reality.
As Kathleen Kennedy steps down from Lucasfilm leadership to return to producing, Dave Filoni will lead the studio as President and Chief Creative Officer alongside Lynwen Brennan as Co-President.
Visual effects supervisor Eric Leven takes us behind the scenes of the high-speed film from director Joseph Kosinski.
The 24th annual presentation by the Visual Effects Society will take place on February 25, 2026.
Artists from ILM’s Sydney studio take us into the Grid to discuss their part in the cult classic’s latest chapter.
Four artists from the San Francisco, Vancouver, London, and Sydney studios share insights about their work on the 2025 Disney production, Tron: Ares.
Take an extensive deep dive into ILM’s creation of the original X-wing fighter miniatures for Star Wars: A New Hope.
Releasing January 13, 2026, the landmark book is now available for pre-order.
