ILM artists for Jurassic World Rebirth and The Lost Bus earn nominations.
Cutting-edge digital artistry, modern inspiration, and retro callbacks help launch the latest Tron adventure from the cyber world into reality.
As Kathleen Kennedy steps down from Lucasfilm leadership to return to producing, Dave Filoni will lead the studio as President and Chief Creative Officer alongside Lynwen Brennan as Co-President.
Visual effects supervisor Eric Leven takes us behind the scenes of the high-speed film from director Joseph Kosinski.
The 24th annual presentation by the Visual Effects Society will take place on February 25, 2026.
Artists from ILM’s Sydney studio take us into the Grid to discuss their part in the cult classic’s latest chapter.
Four artists from the San Francisco, Vancouver, London, and Sydney studios share insights about their work on the 2025 Disney production, Tron: Ares.
Take an extensive deep dive into ILM’s creation of the original X-wing fighter miniatures for Star Wars: A New Hope.
Releasing January 13, 2026, the landmark book is now available for pre-order.
The actor who voiced and supplied the motion capture performance for Grakkus the Hutt opens up about his work on the mixed reality playset.
Avatar: Fire and Ash, Jurassic World: Rebirth, and Sinners are among the selected films.
Learn insights from the artists themselves about the designs for James Gunn's 2025 blockbuster.
The ILM visual effects supervisor reflects on ILM’s contributions to the riveting film inspired by a compelling real-life story.
Members of ILM’s visual effects team discuss their cutting-edge approach to crafting a scene from the Emmy-nominated Skeleton Crew through their real-time rendering pipeline.
ILM’s Enrico Damm, Paul Kavanagh, Stephen King, and Matt Middleton share details about ILM’s role in the director’s first theatrical release from the DC Universe.
Go behind the scenes of ILM and LIMINAL Space’s ‘Real-Time Rocket’ activation at Disney Accelerator Day 2025.
ILM creative director David Nakabayashi, along with artists from ILM’s global studios, including Aaron McBride, Cody Gramstad, Bimpe Alliu, and Chelsea Castro, reflect on the essential role concept art and storyboarding play in the filmmaking process.
The multi-sensory experience is on view in London through February 22, 2026.
The ILM creative director and Jurassic's production visual effects supervisor talks dinosaurs and collaborating with Gareth Edwards.
ILM.com is showcasing artwork specially chosen by members of the ILM Art Department. In this installment of a continuing series, three artists from the San Francisco and Vancouver studios share insights about their work on the 2025 Netflix production, The Electric State.
