Universal
Inside the ILM Art Department: ‘Wicked: For Good’
Never ‘OUTATIME’: Remembering ‘Back to the Future’ with Cinematographer Dean Cundey
Mirrors on the Walls: Reflecting on ‘Wicked: For Good’s’ ‘The Girl in the Bubble’
‘Preparation is the key to success’: Pablo Helman on the complexity of making ‘Wicked: For Good’
“The idea was for every frame to be a stunning picture”: ILM Supervisors Talk ‘Jurassic World Rebirth’
ILM Contributes to 2 Super Bowl Commercials – ‘The Mandalorian and Grogu’ & ‘Jurassic Park’
ILM Contributes to All 5 Nominated Films for ‘Best Visual Effects’ at the 98th Oscars
ILM Earns 16 Nominations for the 2026 VES Awards
ILM Contributes to All 10 Shortlisted Films for Best Visual Effects at 98th Oscars
“What Do We Have To Do To Make it an 11 out of 10?”: Visual Effects Supervisor David Vickery on ‘Jurassic World Rebirth’
Defying Expectations: How ILM’s Collaborative DNA Helped Bring the World of ‘Wicked’ to Life
ILM Receives Two Oscar Nominations for “Alien: Romulus” and “Wicked”
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