San Francisco News
Inside the ILM Art Department: ‘The Eternaut’
Three artists from the San Francisco, Vancouver, and London studios share insights about their work on the 2025 Netflix production, The Eternaut.
ILM Earns 2 Nominations at the 2026 BAFTA Film Awards
Frankenstein and The Lost Bus are recognized while ILM also contributes to two other nominated films.
ILM Contributes to All 5 Nominated Films for ‘Best Visual Effects’ at the 98th Oscars
ILM artists for Jurassic World Rebirth and The Lost Bus earn nominations.
The Grid Hits the Streets: ILM’s David Seager on the Visual Effects of ‘Tron: Ares’
Cutting-edge digital artistry, modern inspiration, and retro callbacks help launch the latest Tron adventure from the cyber world into reality.
Lucasfilm and the Walt Disney Studios Announce Leadership Transition
As Kathleen Kennedy steps down from Lucasfilm leadership to return to producing, Dave Filoni will lead the studio as President and Chief Creative Officer alongside Lynwen Brennan as Co-President.
Building Belief at 200mph: ILM’s Invisible Work on ‘F1: The Movie’
Visual effects supervisor Eric Leven takes us behind the scenes of the high-speed film from director Joseph Kosinski.
ILM Earns 16 Nominations for the 2026 VES Awards
The 24th annual presentation by the Visual Effects Society will take place on February 25, 2026.
ILM’s Jeff Capogreco and Jhon Alvarado Take Us Into the Grid of ‘Tron: Ares’
Artists from ILM’s Sydney studio take us into the Grid to discuss their part in the cult classic’s latest chapter.