| BAFTA Television Craft Awards |
The Lord of the Rings: The Rings of Power |
Won |
Special, Visual & Graphic Effects |
2025 |
ILM |
|
| Children's & Family Emmys |
Percy Jackson and the Olympians |
Won |
Outstanding Visual Effects for a Live Action Program |
2025 |
ILM |
|
| AMPAS|academy|oscar |
Wicked |
Nominated |
Best Visual Effects |
2025 |
ILM |
|
| AMPAS|academy|oscar |
Alien: Romulus |
Nominated |
Best Visual Effects |
2025 |
ILM |
|
| BAFTA |
Wicked |
Nominated |
Special Visual Effects |
2025 |
ILM |
|
| BAFTA |
Gladiator II |
Nominated |
Special Visual Effects |
2025 |
ILM |
|
| VES|visual effects society |
Alien: Romulus; Renaissance Space Station |
Won |
Outstanding Model in a Photoreal or Animated Project |
2025 |
ILM |
|
| VES|visual effects society |
Real-Time Rocket (D23) |
Won |
Outstanding Visual Effects in a Special Venue Project |
2025 |
ILM |
|
| VES|visual effects society |
Star Wars: Skeleton Crew; Episode 6; Jaws |
Nominated |
Outstanding Compositing & Lighting in an Episode |
2025 |
ILM |
|
| VES|visual effects society |
The Lord of the Rings: The Rings of Power; Season 2; Shadow and Flame; Balrog Fire and Collapsing Cliff |
Nominated |
Outstanding Effects Simulations in an Episode, Commercial, Game Cinematic, or Real-Time Project |
2025 |
ILM |
|
| VES|visual effects society |
Star Wars: Skeleton Crew; Pilot; Spaceship Hillside Takeoff |
Nominated |
Outstanding Effects Simulations in an Episode, Commercial, Game Cinematic, or Real-Time Project |
2025 |
ILM |
|
| VES|visual effects society |
Ultraman: Rising |
Nominated |
Outstanding Effects Simulations in an Animated Feature |
2025 |
ILM |
|
| VES|visual effects society |
Venom: The Last Dance; Water, Fire & Symbiote Effects |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2025 |
ILM |
|
| VES|visual effects society |
Twisters |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2025 |
ILM |
|
| VES|visual effects society |
Gladiator II; The Colosseum |
Nominated |
Outstanding Model in a Photoreal or Animated Project |
2025 |
ILM |
|
| VES|visual effects society |
Deadpool & Wolverine; Ant-Man Arena |
Nominated |
Outstanding Model in a Photoreal or Animated Project |
2025 |
ILM |
|
| VES|visual effects society |
Transformers One; Iacon City |
Nominated |
Outstanding Environment in an Animated Feature |
2025 |
ILM |
|
| VES|visual effects society |
Wicked; The Emerald City |
Nominated |
Outstanding Environment in a Photoreal Feature |
2025 |
ILM |
|
| VES|visual effects society |
Gladiator II; Rome |
Nominated |
Outstanding Environment in a Photoreal Feature |
2025 |
ILM |
|
| VES|visual effects society |
What If…? - An Immersive Story |
Nominated |
Outstanding Visual Effects in a Real-Time Project |
2025 |
ILM |
|
| VES|visual effects society |
The Lord of the Rings: The Rings of Power - Season Two: Eldest |
Nominated |
Outstanding Visual Effects in a Photoreal Episode |
2025 |
ILM |
|
| VES|visual effects society |
Star Wars: Skeleton Crew; Episode 5 |
Nominated |
Outstanding Visual Effects in a Photoreal Episode |
2025 |
ILM |
|
| VES|visual effects society |
Ultraman: Rising |
Nominated |
Outstanding Visual Effects in an Animated Feature |
2025 |
ILM |
|
| VES|visual effects society |
Transformers One |
Nominated |
Outstanding Visual Effects in an Animated Feature |
2025 |
ILM |
|
| VES|visual effects society |
Blitz |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2025 |
ILM |
|
| VES|visual effects society |
Twisters |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2025 |
ILM |
|
| Annies |
Ultraman: Rising |
Nominated |
Best FX - Feature |
2024 |
ILM |
|
| HPA |
Ultraman: Rising |
Won |
Outstanding Visual Effects – Animated Feature |
2024 |
ILM |
|
| HPA |
Alien: Romulus |
Nominated |
Outstanding Visual Effects – Live Action Feature |
2024 |
ILM |
|
| HPA |
The Creator |
Nominated |
Outstanding Visual Effects – Live Action Feature |
2024 |
ILM |
|
| HPA |
Deadpool & Wolverine |
Nominated |
Outstanding Visual Effects – Live Action Feature |
2024 |
ILM |
|
| HPA |
A Quiet Place: Day One |
Nominated |
Outstanding Visual Effects – Live Action Feature |
2024 |
ILM |
|
| HPA |
Percy Jackson and the Olympians – Season One |
Nominated |
Outstanding Visual Effects – Live Action Episode or Series Season |
2024 |
ILM |
|
| HPA |
Loki – Season Two |
Nominated |
Outstanding Visual Effects – Live Action Episode or Series Season |
2024 |
ILM |
|
| Emmys |
What If…? - An Immersive Story |
Won |
Outstanding Innovation In Emerging Media Programming |
2024 |
ILM |
|
| Emmys |
The Santa Clauses: Season Two |
Won |
Technology and Engineering Emmy Awards - Emmy for Excellence in Production Technology |
2024 |
ILM |
|
| AMPAS Sci-Technical Awards |
Alembic |
Won |
Technical Achievement Awards |
2024 |
ILM |
|
| AMPAS Sci-Technical Awards |
Open VDB |
Won |
Technical Achievement Awards |
2024 |
ILM |
|
| BAFTA |
Mission: Impossible - Dead Reckoning Part One |
Nominated |
Best Visuals Effects |
2024 |
ILM |
|
| BAFTA |
The Creator |
Nominated |
Best Visuals Effects |
2024 |
ILM |
|
| AMPAS|academy|oscar |
Napoleon |
Nominated |
Best Visuals Effects |
2024 |
ILM |
|
| AMPAS|academy|oscar |
Mission: Impossible - Dead Reckoning Part One |
Nominated |
Best Visuals Effects |
2024 |
ILM |
|
| AMPAS|academy|oscar |
The Creator |
Nominated |
Best Visuals Effects |
2024 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Season Three |
Won |
Outstanding Effects Simulations in an Episode, Commercial, Game Cinematic, or Real-Time Project |
2024 |
ILM |
|
| VES|visual effects society |
The Creator |
Won |
Outstanding Effects Simulations in a Photoreal Feature |
2024 |
ILM |
|
| VES|visual effects society |
The Creator |
Won |
Outstanding Model in a Photoreal or Animated Project |
2024 |
ILM |
|
| VES|visual effects society |
The Creator |
Won |
Outstanding Created Environment in a Photoreal Feature |
2024 |
ILM |
|
| VES|visual effects society |
Postcards From Earth |
Won |
Outstanding Visual Effects in a Special Venue Project |
2024 |
ILM |
|
| VES|visual effects society |
The Creator |
Won |
Outstanding Visual Effects in a Photoreal Feature |
2024 |
ILM |
|
| VES|visual effects society |
Willow |
Nominated |
Outstanding Compositing & Lighting in an Episode |
2024 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Season Three |
Nominated |
Outstanding Compositing & Lighting in an Episode |
2024 |
ILM |
|
| VES|visual effects society |
The Creator |
Nominated |
Outstanding Compositing & Lighting in a Feature |
2024 |
ILM |
|
| VES|visual effects society |
Willow |
Nominated |
Outstanding Effects Simulations in an Episode, Commercial, Game Cinematic, or Real-Time Project |
2024 |
ILM |
|
| VES|visual effects society |
Napoleon |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2024 |
ILM |
|
| VES|visual effects society |
The Creator |
Nominated |
Outstanding Virtual Cinematography in a CG Project |
2024 |
ILM |
|
| VES|visual effects society |
Loki: Season Two |
Nominated |
Outstanding Created Environment in an Episode, Commercial, Game Cinematic, or Real-Time Project |
2024 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Season Three |
Nominated |
Outstanding Visual Effects in a Photoreal Episode |
2024 |
ILM |
|
| VES|visual effects society |
Ahsoka |
Nominated |
Outstanding Visual Effects in a Photoreal Episode |
2024 |
ILM |
|
| VES|visual effects society |
Napoleon |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2024 |
ILM |
|
| VES|visual effects society |
Killers of the Flower Moon |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2024 |
ILM |
|
| VES|visual effects society |
Indiana Jones and the Dial of Destiny |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2024 |
ILM |
|
| VES|visual effects society |
Dungeons & Dragons: Honor Among Thieves |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2024 |
ILM |
|
| Children's & Family Emmys |
Lost Ollie |
Won |
Outstanding Visual Effects for a Live Action Program |
2023 |
ILM |
|
| HPA |
The Lord of the Rings: The Rings of Power |
Nominated |
Outstanding Visual Effects — Live Action Episode or Series Season |
2023 |
ILM |
|
| HPA |
Andor: Season One |
Nominated |
Outstanding Visual Effects — Live Action Episode or Series Season |
2023 |
ILM |
|
| HPA |
The Mandalorian: Season Three |
Nominated |
Outstanding Visual Effects — Live Action Episode or Series Season |
2023 |
ILM |
|
| HPA |
Avatar: The Way of Water |
Nominated |
Outstanding Visual Effects — Live-Action Feature |
2023 |
ILM |
|
| Emmys |
The Lord of The Rings: The Rings of Power |
Nominated |
Outstanding Special Visual Effects In A Season Or A Movie |
2023 |
ILM |
|
| Emmys |
Andor |
Nominated |
Outstanding Special Visual Effects In A Season Or A Movie |
2023 |
ILM |
|
| Emmys |
The Mandalorian: Season Three |
Nominated |
Outstanding Special Visual Effects In A Season Or A Movie |
2023 |
ILM |
|
| BAFTA |
The Sandman |
Nominated |
Outstanding Special, Visual and Graphic Effects in Television |
2023 |
ILM |
|
| BAFTA |
Andor |
Nominated |
Outstanding Special, Visual and Graphic Effects in Television |
2023 |
ILM |
|
| AMPAS|academy|oscar |
Black Panther: Wakanda Forever |
Nominated |
Best Visual Effects |
2023 |
ILM |
|
| AMPAS|academy|oscar |
The Batman |
Nominated |
Best Visual Effects |
2023 |
ILM |
|
| BAFTA |
The Batman |
Nominated |
Special Visual Effects |
2023 |
ILM |
|
| VES|visual effects society |
ABBA: VOYAGE |
Won |
Outstanding Visual Effects in a Special Venue Project |
2023 |
ILM |
|
| VES|visual effects society |
The Lord of the Rings: The Rings of Power; Udûn |
Won |
Outstanding Visual Effects in a Photoreal Episode |
2023 |
ILM |
|
| VES|visual effects society |
The Lord of the Rings: The Rings of Power: Adar; Númenor City |
Won |
Outstanding Created Environment in an Episode, Commercial, or Real-time Project |
2023 |
ILM |
|
| VES|visual effects society |
The Lord of the Rings: The Rings of Power: Udûn; Water and Magma |
Won |
Outstanding Effects Simulations in an Episode, Commercial, or Real-time Project |
2023 |
ILM |
|
| VES|visual effects society |
ABBA: VOYAGE |
Nominated |
Outstanding Virtual Cinematography in a CG Project |
2023 |
ILM |
|
| VES|visual effects society |
Jurassic World Dominion |
Nominated |
Outstanding Special Visual Effects in a Photoreal Feature |
2023 |
ILM |
|
| VES|visual effects society |
The Batman |
Nominated |
Outstanding Special Visual Effects in a Photoreal Feature |
2023 |
ILM |
|
| VES|visual effects society |
The Fabelmans |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2023 |
ILM |
|
| VES|visual effects society |
The Pale Blue Eye |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2023 |
ILM |
|
| VES|visual effects society |
Guardians of the Galaxy: Cosmic Rewind |
Nominated |
Outstanding Visual Effects in a Special Venue Project |
2023 |
ILM |
|
| VES|visual effects society |
Star Wars: Galactic Star Cruiser |
Nominated |
Outstanding Visual Effects in a Special Venue Project |
2023 |
ILM |
|
| VES|visual effects society |
Jurassic World Dominion; Biosyn Valley |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2023 |
ILM |
|
| VES|visual effects society |
Andor: Reckoning; Ferrix |
Nominated |
Outstanding Created Environment in an Episode, Commercial, or Real-time Project |
2023 |
ILM |
|
| VES|visual effects society |
The Book of Boba Fett: In the Name of Honor; Mos Espa |
Nominated |
Outstanding Created Environment in an Episode, Commercial, or Real-time Project |
2023 |
ILM |
|
| VES|visual effects society |
Avatar: The Way of Water; Fire and Destruction |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2023 |
ILM |
|
| VES|visual effects society |
Black Panther: Wakanda Forever; City Street Flooding |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2023 |
ILM |
|
| VES|visual effects society |
Avatar: The Way of Water; Landing Rockets Forest Destruction |
Nominated |
Outstanding Compositing & Lighting in a Feature |
2023 |
ILM |
|
| VES|visual effects society |
The Book of Boba Fett: From the Desert Comes a Stranger; Luke Alike |
Nominated |
Outstanding Compositing & Lighting in a Episode |
2023 |
ILM |
|
| HPA |
The Book of Boba Fett – Complete Season |
Won |
Outstanding Visual Effects – Episode or Series Season |
2022 |
ILM |
|
| HPA |
Doctor Strange in the Multiverse of Madness |
Won |
Outstanding Visual Effects – Theatrical or Non-Theatrical Feature |
2022 |
ILM |
|
| HPA |
Obi-Wan Kenobi – Complete Season |
Nominated |
Outstanding Visual Effects – Episode or Series Season |
2022 |
ILM |
|
| HPA |
The Batman |
Nominated |
Outstanding Visual Effects – Theatrical or Non-Theatrical Feature |
2022 |
ILM |
|
| HPA |
No Time to Die |
Nominated |
Outstanding Visual Effects – Theatrical or Non-Theatrical Feature |
2022 |
ILM |
|
| Emmys |
StageCraft Virtual Production Tool Suite |
Won |
Engineering, Science & Technology Emmy Award |
2022 |
ILM |
|
| Emmys |
The Book of Boba Fett |
Won |
Outstanding Special Visual Effects in a Season or a Movie |
2022 |
ILM |
|
| Emmys |
The Witcher: Season Two |
Nominated |
Outstanding Special Visual Effects in a Season or a Movie |
2022 |
ILM |
|
| VES|visual effects society |
The Witcher: Season Two; Nivellen the Cursed Man |
Won |
Outstanding Animated Character in a Episode or Real-Time Project |
2022 |
ILM |
|
| VES|visual effects society |
Loki: Season One - Journey Into Mystery |
Nominated |
Outstanding Visual Effects in a Photoreal Episode |
2022 |
ILM |
|
| VES|visual effects society |
The Stand |
Nominated |
Outstanding Visual Effects in a Photoreal Episode |
2022 |
ILM |
|
| VES|visual effects society |
Jungle Cruise |
Nominated |
Outstanding Animated Character in a Photoreal Feature |
2022 |
ILM |
|
| VES|visual effects society |
Y: The Last Man; Ampersand |
Nominated |
Outstanding Animated Character in a Episode or Real-Time Project |
2022 |
ILM |
|
| VES|visual effects society |
Hawkeye; Rockefeller Center |
Nominated |
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project |
2022 |
ILM |
|
| VES|visual effects society |
Loki: Season One - Journey Into Mystery; Alioth Cloud |
Nominated |
Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project |
2022 |
ILM |
|
| VES|visual effects society |
WandaVision; Goodbye Vision |
Nominated |
Outstanding Compositing & Lighting in an Episode |
2022 |
ILM |
|
| HPA |
Jungle Cruise |
Nominated |
Outstanding Visual Effects |
2021 |
ILM |
|
| HPA |
Loki: Journey Into Mystery |
Nominated |
Outstanding Visual Effects |
2021 |
ILM |
|
| HPA |
The Mandalorian: Chapter 9: The Marshal |
Won |
Outstanding Visual Effects |
2021 |
ILM |
|
| Emmys |
The Mandalorian: Season Two |
Won |
Outstanding Special Visual Effects |
2021 |
ILM |
|
| Emmys |
WandaVision |
Nominated |
Outstanding Special Visual Effects |
2021 |
ILM |
|
| Emmys |
The Boys: Season Two |
Nominated |
Outstanding Special Visual Effects |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 9: The Marshal |
Won |
Outstanding Visual Effects in a Photoreal Episode |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 13: The Jedi; The Child |
Won |
Outstanding Animated Character in an Episode or Real-Time Project |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 9: The Marshal; Krayt Dragon |
Nominated |
Outstanding Animated Character in an Episode or Real-Time Project |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 15: The Believer; Morak Jungle |
Won |
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 12: The Siege; Nevarro Canyon |
Nominated |
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 15: The Believer |
Nominated |
Outstanding Virtual Cinematography in a CG Project |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 12: The Siege |
Nominated |
Outstanding Virtual Cinematography in a CG Project |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian Season Two; Boba Fett's Ship |
Nominated |
Outstanding Model in a Photoreal or Animated Project |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 16: The Rescue; Light Cruiser |
Nominated |
Outstanding Model in a Photoreal or Animated Project |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 9: The Marshal; Krayt Dragon |
Nominated |
Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 15: The Believer |
Nominated |
Outstanding Compositing in an Episode |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 9: The Marshal |
Nominated |
Outstanding Compositing in an Episode |
2021 |
ILM |
|
| VES|visual effects society |
The Mandalorian: Chapter 10: The Marshal |
Nominated |
Outstanding Compositing in an Episode |
2021 |
ILM |
|
| VES|visual effects society |
Brave New World: New London |
Nominated |
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project |
2021 |
ILM |
|
| AMPAS Sci-Technical Awards |
Technoprops Head-Mounted Camera System |
Won |
Technical Achievement Awards |
2021 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM HairCraft Dynamics System |
Won |
Technical Achievement Awards |
2021 |
ILM |
|
| Emmys |
The Mandalorian: Season One |
Won |
Outstanding Special Visual Effects |
2020 |
ILM |
|
| BAFTA |
Avengers: Endgame |
Nominated |
Best Visual Effects |
2020 |
ILM |
|
| BAFTA |
The Irishman |
Nominated |
Best Visual Effects |
2020 |
ILM |
|
| BAFTA |
Star Wars: The Rise of Skywalker |
Nominated |
Best Visual Effects |
2020 |
ILM |
|
| VES|visual effects society |
The Irishman |
Won |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2020 |
ILM |
|
| VES|visual effects society |
The Irishman |
Won |
Outstanding Compositing in a Feature |
2020 |
ILM |
|
| VES|visual effects society |
The Mandalorian |
Won |
Outstanding Visual Effects in a Photoreal Episode |
2020 |
ILM |
|
| VES|visual effects society |
The Mandalorian |
Won |
Outstanding Model in a Photoreal or Animated Project |
2020 |
ILM |
|
| VES|visual effects society |
Star Wars: Rise of the Resistance |
Won |
Outstanding Visual Effects in a Special Venue Project |
2020 |
ILM |
|
| VES|visual effects society |
Star Wars: The Rise of Skywalker |
Won |
Outstanding Effects Simulations in a Photoreal Feature |
2020 |
ILM |
|
| VES|visual effects society |
Avengers: Endgame |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2020 |
ILM |
|
| VES|visual effects society |
Vader Immortal: A Star Wars VR Series |
Nominated |
Outstanding Visual Effects in a Real-Time Project |
2020 |
ILM |
|
| VES|visual effects society |
Avengers: Damage Control |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2020 |
ILM |
|
| VES|visual effects society |
Avengers: Endgame; Smart Hulk |
Nominated |
Outstanding Animated Character in a Photoreal Feature |
2020 |
ILM |
|
| VES|visual effects society |
Star Wars: The Rise of Skywalker |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2020 |
ILM |
|
| VES|visual effects society |
Star Wars: The Rise of Skywalker |
Nominated |
Outstanding Compositing in a Feature |
2020 |
ILM |
|
| VES|visual effects society |
The Mandalorian |
Nominated |
Outstanding Animated Character in an Episode or Real-Time Project |
2020 |
ILM |
|
| VES|visual effects society |
The Mandalorian |
Nominated |
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project |
2020 |
ILM |
|
| VES|visual effects society |
The Mandalorian |
Nominated |
Outstanding Virtual Cinematography in a CG Project |
2020 |
ILM |
|
| VES|visual effects society |
The Mandalorian |
Nominated |
Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project |
2020 |
ILM |
|
| VES|visual effects society |
Jurassic World - The Ride |
Nominated |
Outstanding Visual Effects in a Special Venue Project |
2020 |
ILM |
|
| VES|visual effects society |
Millennium Falcon: Smugglers Run |
Nominated |
Outstanding Visual Effects in a Special Venue Project |
2020 |
ILM |
|
| VES|visual effects society |
Aladdin |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2020 |
ILM |
|
| VES|visual effects society |
Star Wars: The Rise of Skywalker |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2020 |
ILM |
|
| AMPAS|academy|oscar |
Avengers: Endgame |
Nominated |
Best Visual Effects |
2019 |
ILM |
|
| AMPAS|academy|oscar |
The Irishman |
Nominated |
Best Visual Effects |
2019 |
ILM |
|
| AMPAS|academy|oscar |
Star Wars: The Rise of Skywalker |
Nominated |
Best Visual Effects |
2019 |
ILM |
|
| BAFTA |
Black Panther |
Won |
Best Visual Effects |
2019 |
ILM |
|
| BAFTA |
Ready Player One |
Nominated |
Best Visual Effects |
2019 |
ILM |
|
| BAFTA |
Avengers: Infinity War |
Nominated |
Best Visual Effects |
2019 |
ILM |
|
| VES|visual effects society |
Ready Player One |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Solo: A Star Wars Story |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
12 Strong |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Bird Box |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Jurassic World: Fallen Kingdom; Indoraptor |
Nominated |
Outstanding Animated Character in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Ready Player One; Art3mis |
Nominated |
Outstanding Animated Character in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Ant-Man and the Wasp; Journey to the Quantum Realm |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Aquaman; Atlantis |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Solo: A Star Wars Story; Vandor Planet |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Aquaman; Third Act Battle |
Nominated |
Outstanding Virtual Cinematography in a Photoreal Project |
2019 |
ILM |
|
| VES|visual effects society |
Jurassic World: Fallen Kingdom; Gyrosphere Escape |
Nominated |
Outstanding Virtual Cinematography in a Photoreal Project |
2019 |
ILM |
|
| VES|visual effects society |
Ready Player One; DeLorean DMC-12 |
Nominated |
Outstanding Model in a Photoreal or Animated Project |
2019 |
ILM |
|
| VES|visual effects society |
Solo: A Star Wars Story; Millennium Falcon |
Nominated |
Outstanding Model in a Photoreal or Animated Project |
2019 |
ILM |
|
| VES|visual effects society |
Avengers: Infinity War; Wakanda |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Jurassic World: Fallen Kingdom |
Nominated |
Outstanding Compositing in a Photoreal Feature |
2019 |
ILM |
|
| VES|visual effects society |
Vader Immortal: A Star Wars VR Series |
Nominated |
Outstanding Innovation in Interactive Media |
2019 |
ILM |
|
| AMPAS|academy|oscar |
Carne y Arena |
Won |
Special Award Oscar |
2018 |
ILM |
|
| AMPAS|academy|oscar |
Solo: A Star Wars Story |
Nominated |
Best Visual Effects |
2018 |
ILM |
|
| AMPAS|academy|oscar |
Avengers: Infinity War |
Nominated |
Best Visual Effects |
2018 |
ILM |
|
| AMPAS|academy|oscar |
Ready Player One |
Nominated |
Best Visual Effects |
2018 |
ILM |
|
| BAFTA |
Star Wars: the Last Jedi |
Nominated |
Best Visual Effects |
2018 |
ILM |
|
| VES|visual effects society |
Ready Player One; The Shining, Overlook Hotel |
Won |
Outstanding Created Environment in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Ready Player One; New York Race |
Won |
Outstanding Virtual Cinematography in a Photoreal Project |
2018 |
ILM |
|
| VES|visual effects society |
Star Wars: Secrets of the Empire |
Nominated |
Outstanding Visual Effects in a Special Venue Project |
2018 |
ILM |
|
| VES|visual effects society |
Star Wars: The Last Jedi |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Star Wars: The Last Jedi; Crait Surface Battle |
Nominated |
Outstanding Virtual Cinematography in a Photoreal Project |
2018 |
ILM |
|
| VES|visual effects society |
Star Wars: The Last Jedi; Bombing Run |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Star Wars: The Last Jedi; Mega Destroyer Destruction |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Downsizing |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Mother! |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Only the Brave |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Only the Brave; Fire & Smoke |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Kong Skull Island |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Kong: Skull Island; Kong |
Nominated |
Outstanding Animated Character in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Kong Skull Island |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2018 |
ILM |
|
| VES|visual effects society |
Kong: Skull Island |
Nominated |
Outstanding Compositing in a Photoreal Feature |
2018 |
ILM |
|
| AMPAS|academy|oscar |
Star Wars: The Last Jedi |
Nominated |
Best Visual Effects |
2017 |
ILM |
|
| AMPAS|academy|oscar |
Kong: Skull Island |
Nominated |
Best Visual Effects |
2017 |
ILM |
|
| BAFTA |
Rogue One: A Star Wars Story |
Nominated |
Best Visual Effects |
2017 |
ILM |
|
| BAFTA |
Doctor Strange |
Nominated |
Best Visual Effects |
2017 |
ILM |
|
| VES|visual effects society |
Rogue One: A Star Wars Story |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2017 |
ILM |
|
| VES|visual effects society |
Doctor Strange |
Nominated |
Outstanding Visual Effects in a Photoreal Feature |
2017 |
ILM |
|
| VES|visual effects society |
Doctor Strange; London |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2017 |
ILM |
|
| VES|visual effects society |
Doctor Strange; New York City |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2017 |
ILM |
|
| VES|visual effects society |
Doctor Strange; New York Mirror Dimension |
Nominated |
Outstanding Virtual Cinematography in a Photoreal Project |
2017 |
ILM |
|
| VES|visual effects society |
Doctor Strange; Hong Kong Reverse Destruction |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2017 |
ILM |
|
| VES|visual effects society |
Doctor Strange; New York City |
Nominated |
Outstanding Compositing in a Photoreal Feature |
2017 |
ILM |
|
| AMPAS Sci-Technical Awards |
BlockParty Procedural Rigging System |
Won |
Technical Achievement Awards |
2017 |
ILM |
|
| AMPAS|academy|oscar |
Rogue One: A Star Wars Story |
Nominated |
Best Visual Effects |
2016 |
ILM |
|
| AMPAS|academy|oscar |
Deepwater Horizon |
Nominated |
Best Visual Effects |
2016 |
ILM |
|
| AMPAS|academy|oscar |
Doctor Strange |
Nominated |
Best Visual Effects |
2016 |
ILM |
|
| BAFTA |
Star Wars: Episode VII "The Force Awakens" |
Won |
Best Visual Effects |
2016 |
ILM |
|
| BAFTA |
Ant-Man |
Nominated |
Best Visual Effects |
2016 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode VII "The Force Awakens" |
Won |
Outstanding Visual Effects in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
The Revenant |
Won |
Outstanding Supporting Visual Effects in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode VII "The Force Awakens" - Falcon Chase / Graveyard |
Won |
Outstanding Created Environment in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
The Revenant - The Bear |
Won |
Outstanding Animated Performance in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode VII "The Force Awakens" - Falcon Chase / Graveyard |
Won |
Outstanding Virtual Cinematography in a Photoreal Project |
2016 |
ILM |
|
| VES|visual effects society |
The Revenant - Bear Attack |
Won |
Outstanding Compositing in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode VII "The Force Awakens" - BB-8 |
Won |
Outstanding Models in a Photoreal or Animated Project |
2016 |
ILM |
|
| VES|visual effects society |
Ant-Man; The Microverse |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Tomorrowland; Tomorrowland Center |
Nominated |
Outstanding Created Environment in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Star Wars: The Force Awakens; Maz |
Nominated |
Outstanding Animated Performance in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Avengers: Age of Ultron; Hulk |
Nominated |
Outstanding Animated Performance in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Star Wars: The Force Awakens |
Nominated |
Outstanding Compositing in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Tomorrowland |
Nominated |
Outstanding Compositing in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Avengers: Age of Ultron; Hulkbuster |
Nominated |
Outstanding Models in a Photoreal or Animated Project |
2016 |
ILM |
|
| VES|visual effects society |
Jurassic World; Indominus Rex |
Nominated |
Outstanding Models in a Photoreal or Animated Project |
2016 |
ILM |
|
| VES|visual effects society |
Avengers: Age of Ultron; Hulk vs Hulkbuster |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2016 |
ILM |
|
| VES|visual effects society |
Star Wars: The Force Awakens; Starkiller Base |
Nominated |
Outstanding Effects Simulations in a Photoreal Feature |
2016 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM Facial Performance-Capture System |
Won |
Technical Achievement Awards |
2016 |
ILM |
|
| AMPAS|academy|oscar |
The Revenant |
Nominated |
Best Visual Effects |
2015 |
ILM |
|
| AMPAS|academy|oscar |
Star Wars: The Force Awakens |
Nominated |
Best Visual Effects |
2015 |
ILM |
|
| VES|visual effects society |
Unbroken |
Nominated |
Outstanding Supporting Visual Effects in a Photoreal/Live Action Feature Motion Picture |
2015 |
ILM |
|
| VES|visual effects society |
Captain America: The Winter Soldier; Triskelion Headquarters |
Nominated |
Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture |
2015 |
ILM |
|
| VES|visual effects society |
Lucy; Times Square |
Nominated |
Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture |
2015 |
ILM |
|
| VES|visual effects society |
Noah; Antediluvian Earth |
Nominated |
Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture |
2015 |
ILM |
|
| VES|visual effects society |
Transformers: Age of Extinction; Knightship |
Nominated |
Outstanding Models in any Motion Media Project |
2015 |
ILM |
|
| VES|visual effects society |
Captain America: The Winter Soldier; Helicarrier Broadside and Crash |
Nominated |
Outstanding Effects Simulations in a Photoreal/Live Action Feature Motion Picture |
2015 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM Geometry Tracker |
Won |
Technical Achievement Awards |
2015 |
ILM |
|
| AMPAS|academy|oscar |
Captain America: The Winter Soldier |
Nominated |
Best Visual Effects |
2014 |
ILM |
|
| BAFTA |
Star Trek: Into Darkness |
Nominated |
Best Visual Effects |
2014 |
ILM |
|
| BAFTA |
Pacific Rim |
Nominated |
Best Visual Effects |
2014 |
ILM |
|
| VES|visual effects society |
The Lone Ranger |
Won |
Outstanding
Supporting
Visual
Effects
in
a
Feature
Motion
Picture |
2014 |
ILM |
|
| VES|visual effects society |
Pacific Rim |
Nominated |
Outstanding
Visual
Effects
in
a
Visual
Effects-Driven Feature Motion Picture |
2014 |
ILM |
|
| VES|visual effects society |
Star Trek: Into Darkness |
Nominated |
Outstanding
Visual
Effects
in
a
Visual
Effects-Driven Feature Motion Picture |
2014 |
ILM |
|
| VES|visual effects society |
Pacific Rim: Kaiju - Leatherback |
Nominated |
Outstanding
Animated
Character
in
a
Live
Action
Feature
Motion
Picture
|
2014 |
ILM |
|
| VES|visual effects society |
Pacific Rim: Virtual Hong Kong |
Nominated |
Outstanding
Created
Environment
in
a
Live
Action
Feature
Motion
Picture
|
2014 |
ILM |
|
| VES|visual effects society |
Pacific Rim: Hong Kong Ocean Brawl |
Nominated |
Outstanding
Virtual
Cinematography
in
a
Live
Action
Feature
Motion
Picture
|
2014 |
ILM |
|
| VES|visual effects society |
Pacific Rim |
Nominated |
Outstanding
Models
in
a
Feature
Motion
Picture |
2014 |
ILM |
|
| VES|visual effects society |
Star Trek: Into Darkness |
Nominated |
Outstanding
Models
in
a
Feature
Motion
Picture |
2014 |
ILM |
|
| VES|visual effects society |
The Lone Ranger: Colby Locomotive |
Nominated |
Outstanding
Models
in
a
Feature
Motion
Picture |
2014 |
ILM |
|
| VES|visual effects society |
Pacific Rim: Fluid Simulation & Destruction |
Nominated |
Outstanding
FX
and
Simulation
Animation
in
a
Live
Action
Feature
Motion
Picture |
2014 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM Shape Sculpting System |
Won |
Technical Achievement Awards |
2014 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM PhysBAM Destruction System |
Won |
Technical Achievement Awards |
2014 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM Plume System |
Won |
Technical Achievement Awards |
2014 |
ILM |
|
| AMPAS Sci-Technical Awards |
Zeno Application Framework |
Won |
Technical Achievement Awards |
2014 |
ILM |
|
| AMPAS Sci-Technical Awards |
ObaQ Render Queue Management System |
Won |
Technical Achievement Awards |
2014 |
ILM |
|
| AMPAS|academy|oscar |
The Lone Ranger |
Nominated |
Best Visual Effects |
2013 |
ILM |
|
| AMPAS|academy|oscar |
Star Trek: Into Darkness |
Nominated |
Best Visual Effects |
2013 |
ILM |
|
| VES|visual effects society |
The Avengers - Midtown Manhattan |
Won |
Outstanding Created Environment in a Live Action Feature Motion Picture |
2013 |
ILM |
|
| VES|visual effects society |
The Avengers - Helicarrier |
Won |
Outstanding Models in a Feature Motion Picture |
2013 |
ILM |
|
| VES|visual effects society |
The Avengers |
Nominated |
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture |
2013 |
ILM |
|
| VES|visual effects society |
Battleship |
Nominated |
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture |
2013 |
ILM |
|
| VES|visual effects society |
The Avengers: The Hulk |
Nominated |
Outstanding Animated Character in a Live Action Feature Motion Picture |
2013 |
ILM |
|
| VES|visual effects society |
The Avengers: Downtown Manhattan |
Nominated |
Outstanding Virtual Cinematography in a Live Action Feature Motion Picture |
2013 |
ILM |
|
| VES|visual effects society |
Battleship |
Nominated |
Outstanding FX and Simulation Animation in a Live Action Feature Motion Picture |
2013 |
ILM |
|
| VES|visual effects society |
The Avengers: Hulk Punch |
Nominated |
Outstanding Compositing in a Feature Motion Picture |
2013 |
ILM |
|
| AMPAS|academy|oscar |
Marvel's The Avengers |
Nominated |
Best Visual Effects |
2012 |
ILM |
|
| VES|visual effects society |
Rango |
Won |
Outstanding Visual Effects in an Animated Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Transformers the Ride: The Ultimate 3D Battle |
Won |
Outstanding Visual Effects in a Special Venue Project |
2012 |
ILM |
|
| VES|visual effects society |
Rango - Rango |
Won |
Outstanding Animated Character in an Animated Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Transformers: Dark of the Moon - 155 Wacker Drive |
Won |
Outstanding Created Environment in a Live Action Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Rango - Main Street Dirt |
Won |
Outstanding Created Environment in an Animated Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Rango - The Dirt Saloon |
Won |
Outstanding Virtual Cinematography in an Animated Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Transformers: Dark of the Moon - Driller |
Won |
Outstanding Models in a Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: On Stranger Tides |
Nominated |
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Transformers: Dark of the Moon |
Nominated |
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Star Tours: The Adventure Continues |
Nominated |
Outstanding Visual Effects in a Special Venue Project |
2012 |
ILM |
|
| VES|visual effects society |
Transformers: Dark of the Moon |
Nominated |
Outstanding Virtual Cinematography in a Live Action Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Mission: Impossible Ghost Protocol - Parking Garage |
Nominated |
Outstanding Models in a Feature Motion Picture |
2012 |
ILM |
|
| VES|visual effects society |
Transformers: Dark of the Moon |
Nominated |
Outstanding Compositing in a Feature Motion Picture |
2012 |
ILM |
|
| AMPAS|academy|oscar |
Transformers: Dark of the Moon |
Nominated |
Best Visual Effects |
2011 |
ILM |
|
| BAFTA |
Rango |
Nominated |
Best Animated Film |
2011 |
ILM |
|
| VES|visual effects society |
Iron Man 2 |
Nominated |
Outstanding Visual Effects in a Visual-Effects Driven Feature Motion Picture |
2011 |
ILM |
|
| VES|visual effects society |
Iron Man 2 - Stark Expo |
Nominated |
Outstanding Created Environment in a Live Action Feature Motion Picture |
2011 |
ILM |
|
| VES|visual effects society |
Iron Man 2 |
Nominated |
Outstanding Models & Miniatures in a Feature Motion Picture |
2011 |
ILM |
|
| AMPAS|academy|oscar |
Iron Man 2 |
Nominated |
Best Visual Effects |
2010 |
ILM |
|
| VES|visual effects society |
Star Trek |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Feature Motion
Picture
|
2010 |
ILM |
|
| VES|visual effects society |
Transformers: Revenge of the Fallen |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Feature Motion
Picture
|
2010 |
ILM |
|
| VES|visual effects society |
Avatar - Quarich's Escape |
Nominated |
Best Single Visual Effect of the Year |
2010 |
ILM |
|
| VES|visual effects society |
Terminator Salvation - VLA Escape |
Nominated |
Best Single Visual Effect of the Year |
2010 |
ILM |
|
| VES|visual effects society |
Harry Potter and the Half-Blood Prince |
Nominated |
Outstanding Matte Paintings in a Feature Motion Picture |
2010 |
ILM |
|
| VES|visual effects society |
Star Trek |
Nominated |
Outstanding Matte Paintings in a Feature Motion Picture |
2010 |
ILM |
|
| VES|visual effects society |
Avatar - End Battle |
Nominated |
Outstanding Compositing in a Feature Motion Picture |
2010 |
ILM |
|
| AMPAS Sci-Technical Awards |
Imocap On-Set Performance Capture System |
Won |
Technical Achievement Awards |
2010 |
ILM |
|
| AMPAS Sci-Technical Awards |
Advancement of Ambient Occlusion Rendering |
Won |
Technical Achievement Awards |
2010 |
ILM |
|
| AMPAS Sci-Technical Awards |
Point-based rendering for indirect illumination and ambient occlusion |
Won |
Technical Achievement Awards |
2010 |
ILM |
|
| AMPAS|academy|oscar |
Star Trek |
Nominated |
Best Visual Effects |
2009 |
ILM |
|
| BAFTA |
Harry Potter and the Half-Blood Prince |
Nominated |
Best Visual Effects |
2009 |
ILM |
|
| BAFTA |
Star Trek |
Nominated |
Best Visual Effects |
2009 |
ILM |
|
| VES|visual effects society |
Ironman |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture |
2009 |
ILM |
|
| VES|visual effects society |
Indiana Jones and The Kingdom of the Crystal Skull - Valley Destruction |
Nominated |
Best Single Visual Effect of the Year |
2009 |
ILM |
|
| VES|visual effects society |
Ironman |
Nominated |
Best Single Visual Effect of the Year |
2009 |
ILM |
|
| VES|visual effects society |
Ironman |
Nominated |
Outstanding Animated Character in a Live Action Feature Motion Picture |
2009 |
ILM |
|
| VES|visual effects society |
Indiana Jones and The Kingdom of the Crystal Skull |
Nominated |
Outstanding Matte Paintings in a Feature Motion Picture |
2009 |
ILM |
|
| VES|visual effects society |
Iron Man - Suit Up Machine |
Nominated |
Outstanding Models and Miniatures in a Feature Motion Picture |
2009 |
ILM |
|
| VES|visual effects society |
Indiana Jones and The Kingdom of the Crystal Skull |
Nominated |
Outstanding Models and Miniatures in a Feature Motion Picture |
2009 |
ILM |
|
| VES|visual effects society |
Indiana Jones and The Kingdom of the Crystal Skull - Temple Heart |
Nominated |
Outstanding Created Environment in a Feature Motion Picture |
2009 |
ILM |
|
| AMPAS|academy|oscar |
Iron Man |
Nominated |
Best Visual Effects |
2008 |
ILM |
|
| BAFTA |
Iron Man |
Nominated |
Best Visual Effects |
2008 |
ILM |
|
| BAFTA |
Indiana Jones and the Kingdom of the Crystal Skull |
Nominated |
Best Visual Effects |
2008 |
ILM |
|
| VES|visual effects society |
Transformers |
Won |
Outstanding Visual Effects in a Visual Effects Driven Motion Picture |
2008 |
ILM |
|
| VES|visual effects society |
Transformers - Desert Highway Sequence |
Won |
Best Single Visual Effect of the Year |
2008 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: At World's End - Davy Jones |
Won |
Outstanding Animated Character in a Live Action Motion Picture |
2008 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: At World's End - The Maelstrom |
Won |
Outstanding Created Environment in a Live Action Motion Picture |
2008 |
ILM |
|
| VES|visual effects society |
Transformers |
Won |
Outstanding Models or Miniatures in a Motion Picture |
2008 |
ILM |
|
| VES|visual effects society |
Transformers |
Won |
Outstanding Compositing in a Motion Picture |
2008 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: At World's End |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Motion Picture |
2008 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: At World’s End - Jack and Davy Duel |
Nominated |
Best Single Visual Effect of the Year |
2008 |
ILM |
|
| VES|visual effects society |
Transformers - Optimus Prime |
Nominated |
Outstanding Animated Character in a Live Action Motion Picture |
2008 |
ILM |
|
| VES|visual effects society |
Rush Hour 3 |
Nominated |
Outstanding Created Environment in a Live Action Motion Picture |
2008 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: At World’s End - Practical and Digital Ships |
Nominated |
Outstanding Models or Miniatures in a Motion Picture |
2008 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: At World’s End |
Nominated |
Outstanding Compositing in a Motion Picture |
2008 |
ILM |
|
| AMPAS|academy|oscar |
Transformers |
Nominated |
Best Visual Effects |
2007 |
ILM |
|
| AMPAS|academy|oscar |
Pirates of the Caribbean: At World’s End |
Nominated |
Best Visual Effects |
2007 |
ILM |
|
| BAFTA |
Pirates of the Caribbean: Dead Man’s Chest |
Won |
Best Visual Effects |
2007 |
ILM |
|
| BAFTA |
Pirates of the Caribbean: At World’s End |
Nominated |
Best Visual Effects |
2007 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: Dead Man's Chest |
Won |
Outstanding Visual Effects in a Visual Effects Driven Motion Picture |
2007 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: Dead Man's Chest - Flying Dutchman Sequence |
Won |
Best Single Visual Effect of the Year |
2007 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: Dead Man's Chest - Davy Jones |
Won |
Outstanding Performance by an Animated Character in a Live Action Motion Picture |
2007 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: Dead Man's Chest |
Won |
Outstanding Created Environment in a Live Action Motion Picture |
2007 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: Dead Man's Chest |
Won |
Outstanding Models and Miniatures in a Motion Picture |
2007 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: Dead Man's Chest |
Won |
Outstanding Compositing in a Motion Picture |
2007 |
ILM |
|
| VES|visual effects society |
Poseidon - Opening Sequence |
Nominated |
Best Single Visual Effect of the Year |
2007 |
ILM |
|
| VES|visual effects society |
Mission: Impossible III |
Nominated |
Outstanding Created Environment in a Live Action Motion Picture |
2007 |
ILM |
|
| VES|visual effects society |
Poseidon |
Nominated |
Outstanding Created Environment in a Live Action Motion Picture |
2007 |
ILM |
|
| VES|visual effects society |
Poseidon |
Nominated |
Outstanding Compositing in a Motion Picture |
2007 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM Fluid Simulation System |
Won |
Technical Achievement Awards |
2007 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM Image-Based Modeling System |
Won |
Technical Achievement Awards |
2007 |
ILM |
|
| AMPAS|academy|oscar |
Pirates of the Caribbean: Dead Man’s Chest |
Won |
Best Visual Effects |
2006 |
ILM |
|
| AMPAS|academy|oscar |
Poseidon |
Nominated |
Best Visual Effects |
2006 |
ILM |
|
| VES|visual effects society |
War of the Worlds - Fleeing the Neighborhood |
Won |
Best Single Visual Effect of the Year |
2006 |
ILM |
|
| VES|visual effects society |
War of the Worlds |
Won |
Outstanding Models and Miniatures in a Motion Picture |
2006 |
ILM |
|
| VES|visual effects society |
War of the Worlds |
Won |
Outstanding Compositing in a Motion Picture |
2006 |
ILM |
|
| VES|visual effects society |
The Chronicles of Narnia: The Lion, The Witch, & The Wardrobe |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Motion Picture |
2006 |
ILM |
|
| VES|visual effects society |
Harry Potter and the Goblet of Fire |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Motion Picture |
2006 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode III " Revenge of the Sith" |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Motion Picture |
2006 |
ILM |
|
| VES|visual effects society |
Jarhead |
Nominated |
Outstanding Supporting Visual Effects in a Motion Picture |
2006 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode III "Revenge of the Sith" - Opening Space Battle |
Nominated |
Best Single Visual Effect of the Year |
2006 |
ILM |
|
| VES|visual effects society |
The Chronicles of Narnia: The Lion, The Witch, & The Wardrobe |
Nominated |
Outstanding Animated Character in a Live Action Motion Picture |
2006 |
ILM |
|
| VES|visual effects society |
Harry Potter and the Goblet of Fire-Dragon |
Nominated |
Outstanding Animated Character in a Live Action Motion Picture |
2006 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode III " Revenge of the Sith" |
Nominated |
Outstanding Created Environment in a Live Action Motion Picture |
2006 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode III " Revenge of the Sith" |
Nominated |
Outstanding Models and Miniatures in a Motion Picture |
2006 |
ILM |
|
| AMPAS Sci-Technical Awards |
OpenEXR |
Won |
Technical Achievement Awards |
2006 |
ILM |
|
| AMPAS|academy|oscar |
War of the Worlds |
Nominated |
Best Visual Effects |
2005 |
ILM |
|
| AMPAS|academy|oscar |
The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe |
Nominated |
Best Visual Effects |
2005 |
ILM |
|
| BAFTA |
The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe |
Nominated |
Best Visual Effects |
2005 |
ILM |
|
| VES|visual effects society |
The Day After Tomorrow - Tidal Wave |
Won |
Best Single Visual Effect of the Year |
2005 |
ILM |
|
| VES|visual effects society |
Harry Potter and the Prisoner of Azkaban - Hippogriff |
Won |
Outstanding Performance by an Animated Character in a Live Action Motion Picture |
2005 |
ILM |
|
| VES|visual effects society |
Harry Potter and the Prisoner of Azkaban |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Motion Picture |
2005 |
ILM |
|
| VES|visual effects society |
The Day After Tomorrow |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Motion Picture |
2005 |
ILM |
|
| VES|visual effects society |
Harry Potter and the Prisoner of Azkaban - Dementor Train |
Nominated |
Best Single Visual Effect of the Year |
2005 |
ILM |
|
| VES|visual effects society |
Lemony Snicket's A Series of Unfortunate Events - Sunny character |
Nominated |
Outstanding Performance by an Animated Character in a Live Action Motion Picture |
2005 |
ILM |
|
| VES|visual effects society |
Harry Potter and the Prisoner of Azkaban - Azkaban Guards Attack |
Nominated |
Outstanding Compositing in a Motion Picture |
2005 |
ILM |
|
| AMPAS|academy|oscar |
Master and Commander: The Far Side of the World |
Nominated |
Best Visual Effects |
2004 |
ILM |
|
| AMPAS|academy|oscar |
Harry Potter and the Prisoner of Azkaban |
Nominated |
Best Visual Effects |
2004 |
ILM |
|
| BAFTA |
Master and Commander |
Nominated |
Best Visual Effects |
2004 |
ILM |
|
| BAFTA |
Harry Potter and the Prisoner of Azkaban |
Nominated |
Best Visual Effects |
2004 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: The Curse of the Black Pearl |
Won |
Outstanding Matte Painting in a Motion Picture |
2004 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: The Curse of the Black Pearl |
Nominated |
Outstanding Visual Effects in a Visual Effects Driven Motion Picture |
2004 |
ILM |
|
| VES|visual effects society |
Master and Commander: The Far Side of the World |
Nominated |
Outstanding Supporting Visual Effects in a Motion Picture |
2004 |
ILM |
|
| VES|visual effects society |
The Hulk |
Nominated |
Best Single Visual Effect of the Year in any Medium |
2004 |
ILM |
|
| VES|visual effects society |
The Hulk |
Nominated |
Outstanding Character Animation in a Live Action Motion Picture |
2004 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: The Curse of the Black Pearl |
Nominated |
Outstanding Character Animation in a Live Action Motion Picture |
2004 |
ILM |
|
| VES|visual effects society |
The Hulk |
Nominated |
Outstanding Matte Painting in a Motion Picture |
2004 |
ILM |
|
| VES|visual effects society |
Peter Pan |
Nominated |
Outstanding Matte Painting in a Motion Picture |
2004 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: The Curse of the Black Pearl - Captain Barbossa |
Nominated |
Outstanding Models and Miniatures in a Motion Picture |
2004 |
ILM |
|
| VES|visual effects society |
Pirates of the Caribbean: The Curse of the Black Pearl |
Nominated |
Outstanding Visual Effects Photography in a Motion Picture |
2004 |
ILM |
|
| VES|visual effects society |
Terminator 3: Rise of the Machines |
Nominated |
Outstanding Visual Effects Photography in a Motion Picture |
2004 |
ILM |
|
| AMPAS|academy|oscar |
Pirates of the Caribbean: The Curse of the Black Pearl |
Nominated |
Best Visual Effects |
2003 |
ILM |
|
| BAFTA |
Pirates of the Caribbean: The Curse of the Black Pearl |
Nominated |
Best Visual Effects |
2003 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode II "Attack of the Clones" |
Won |
Best Matte Painting in a Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Men In Black II |
Nominated |
Best Visual Effects in an Effects Driven Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode II "Attack of the Clones" |
Nominated |
Best Visual Effects in an Effects Driven Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Gangs of New York |
Nominated |
Best Supporting Visual Effects in a Motion Pictures |
2003 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode II "Attack of the Clones" |
Nominated |
Best Character Animation in a Live Action Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Harry Potter and the Chamber of Secrets - Dobby's Face |
Nominated |
Best Character Animation in a Live Action Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Gangs of New York |
Nominated |
Best Matte Painting in a Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode II "Attack of the Clones" |
Nominated |
Best Models and Miniatures in a Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode II "Attack of the Clones" |
Nominated |
Best Visual Effects Photography in a Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Minority Report |
Nominated |
Best Effects Art Direction in a Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Star Wars: Episode II "Attack of the Clones" |
Nominated |
Best Effects Art Direction in a Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Minority Report |
Nominated |
Best Compositing in a Motion Picture |
2003 |
ILM |
|
| VES|visual effects society |
Harry Potter and the Chamber of Secrets - Quidditch Match |
Nominated |
Best Compositing in a Motion Picture |
2003 |
ILM |
|
| AMPAS Sci-Technical Awards |
Practical methods for rendering skin and other translucent materials using subsurface scattering techniques |
Won |
Technical Achievement Awards |
2003 |
ILM |
|
| AMPAS|academy|oscar |
Star Wars: Episode II “Attack of the Clones” |
Nominated |
Best Visual Effects |
2002 |
ILM |
|
| BAFTA |
Minority Report |
Nominated |
Best Visual Effects |
2002 |
ILM |
|
| BAFTA |
Harry Potter and the Chamber of Secrets |
Nominated |
Best Visual Effects |
2002 |
ILM |
|
| BAFTA |
Gangs of New York |
Nominated |
Best Visual Effects |
2002 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM Motion and Structure Recovery System (MARS) |
Won |
Technical Achievement Awards |
2002 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM Creature Dynamics System |
Won |
Technical Achievement Awards |
2002 |
ILM |
|
| AMPAS|academy|oscar |
A.I. Artificial Intelligence |
Nominated |
Best Visual Effects |
2001 |
ILM |
|
| AMPAS|academy|oscar |
Pearl Harbor |
Nominated |
Best Visual Effects |
2001 |
ILM |
|
| BAFTA |
A.I. Artificial Intelligence |
Nominated |
Best Visual Effects |
2001 |
ILM |
|
| AMPAS Sci-Technical Awards |
ILM Creature Dynamics System |
Won |
Technical Achievement Awards |
2001 |
ILM |
|
| AMPAS|academy|oscar |
The Perfect Storm |
Nominated |
Best Visual Effects |
2000 |
ILM |
|
| BAFTA |
The Perfect Storm |
Won |
Best Visual Effects |
2000 |
ILM |
|
| AMPAS|academy|oscar |
Star Wars: Episode I “The Phantom Menace” |
Nominated |
Best Visual Effects |
1999 |
ILM |
|
| BAFTA |
The Mummy |
Nominated |
Best Visual Effects |
1999 |
ILM |
|
| BAFTA |
Star Wars: Episode 1 “The Phantom Menace” |
Nominated |
Best Visual Effects |
1999 |
ILM |
|
| BAFTA |
Sleepy Hollow |
Nominated |
Best Visual Effects |
1999 |
ILM |
|
| AMPAS|academy|oscar |
Mighty Joe Young |
Nominated |
Best Visual Effects |
1998 |
ILM |
|
| BAFTA |
Saving Private Ryan |
Won |
Best Visual Effects |
1998 |
ILM |
|
| AMPAS Sci-Technical Awards |
Motion-Controlled, Silent Camera Dollies |
Won |
Technical Achievement Awards |
1998 |
ILM |
|
| AMPAS Sci-Technical Awards |
"Caricature" Animation System |
Won |
Technical Achievement Awards |
1998 |
ILM |
|
| AMPAS|academy|oscar |
The Lost World: Jurassic Park |
Nominated |
Best Visual Effects |
1997 |
ILM |
|
| BAFTA |
Men in Black |
Won |
Best Visual Effects |
1997 |
ILM |
|
| AMPAS|academy|oscar |
Dragonheart |
Nominated |
Best Visual Effects |
1996 |
ILM |
|
| AMPAS|academy|oscar |
Twister |
Nominated |
Best Visual Effects |
1996 |
ILM |
|
| BAFTA |
Twister |
Won |
Best Visual Effects |
1996 |
ILM |
|
| AMPAS Sci-Technical Awards |
Dynamation Software Particle System |
Won |
Technical Achievement Awards |
1996 |
ILM |
|
| AMPAS Sci-Technical Awards |
Viewpaint 3D Paint System |
Won |
Technical Achievement Awards |
1996 |
ILM |
|
| AMPAS Sci-Technical Awards |
Direct Input Device (D.I.D) |
Won |
Technical Achievement Awards |
1996 |
ILM |
|
| AMPAS Sci-Technical Awards |
System to create and control CG fur and hair |
Won |
Technical Achievement Awards |
1996 |
ILM |
|
| AMPAS Sci-Technical Awards |
Digital Film Compositing System |
Won |
Technical Achievement Awards |
1995 |
ILM |
|
| AMPAS|academy|oscar |
Forrest Gump |
Won |
Best Visual Effects |
1994 |
ILM |
|
| AMPAS|academy|oscar |
The Mask |
Nominated |
Best Visual Effects |
1994 |
ILM |
|
| BAFTA |
Forrest Gump |
Won |
Best Visual Effects |
1994 |
ILM |
|
| BAFTA |
The Mask |
Nominated |
Best Visual Effects |
1994 |
ILM |
|
| AMPAS Sci-Technical Awards |
Linear Array CCD Film Input Scanning System |
Won |
Technical Achievement Awards |
1994 |
ILM |
|
| AMPAS Sci-Technical Awards |
Field of Film Input Scanning |
Won |
Technical Achievement Awards |
1994 |
ILM |
|
| AMPAS|academy|oscar |
Jurassic Park |
Won |
Best Visual Effects |
1993 |
ILM |
|
| BAFTA |
Jurassic Park |
Won |
Best Visual Effects |
1993 |
ILM |
|
| AMPAS Sci-Technical Awards |
Digital Motion Picture Retouching System |
Won |
Technical Achievement Awards |
1993 |
ILM |
|
| AMPAS|academy|oscar |
Death Becomes Her |
Won |
Best Visual Effects |
1992 |
ILM |
|
| BAFTA |
Death Becomes Her |
Won |
Best Visual Effects |
1992 |
ILM |
|
| AMPAS Sci-Technical Awards |
"MORF" System |
Won |
Technical Achievement Awards |
1992 |
ILM |
|
| AMPAS|academy|oscar |
Terminator 2: Judgment Day |
Won |
Best Visual Effects |
1991 |
ILM |
|
| AMPAS|academy|oscar |
Backdraft |
Nominated |
Best Visual Effects |
1991 |
ILM |
|
| AMPAS|academy|oscar |
Hook |
Nominated |
Best Visual Effects |
1991 |
ILM |
|
| BAFTA |
Terminator 2: Judgment Day |
Won |
Best Visual Effects |
1991 |
ILM |
|
| AMPAS|academy|oscar |
The Abyss |
Won |
Best Visual Effects |
1989 |
ILM |
|
| AMPAS|academy|oscar |
Back to the Future, Part II |
Nominated |
Best Visual Effects |
1989 |
ILM |
|
| BAFTA |
Back to the Future, Part II |
Won |
Best Visual Effects |
1989 |
ILM |
|
| AMPAS|academy|oscar |
Who Framed Roger Rabbit? |
Won |
Best Visual Effects |
1988 |
ILM |
|
| AMPAS|academy|oscar |
Willow |
Nominated |
Best Visual Effects |
1988 |
ILM |
|
| BAFTA |
Who Framed Roger Rabbit? |
Won |
Best Visual Effects |
1988 |
ILM |
|
| AMPAS|academy|oscar |
Innerspace |
Won |
Best Visual Effects |
1987 |
ILM |
|
| AMPAS Sci-Technical Awards |
Wire Rig Model Support Mechanism |
Won |
Technical Achievement Awards |
1987 |
ILM |
|
| BAFTA |
The Witches of Eastwick |
Won |
Best Visual Effects |
1987 |
ILM |
|
| AMPAS|academy|oscar |
Cocoon |
Won |
Best Visual Effects |
1985 |
ILM |
|
| AMPAS|academy|oscar |
Young Sherlock Holmes |
Nominated |
Best Visual Effects |
1985 |
ILM |
|
| BAFTA |
Back to the Future |
Nominated |
Best Visual Effects |
1985 |
ILM |
|
| AMPAS|academy|oscar |
Indiana Jones and the Temple of Doom |
Won |
Best Visual Effects |
1984 |
ILM |
|
| BAFTA |
Indiana Jones & the Temple of Doom |
Won |
Best Visual Effects |
1984 |
ILM |
|
| AMPAS|academy|oscar |
Return of the Jedi |
Won |
Best Visual Effects |
1983 |
ILM |
|
| BAFTA |
Return of the Jedi |
Won |
Best Visual Effects |
1983 |
ILM |
|
| AMPAS|academy|oscar |
E.T.: The Extra-Terrestrial |
Won |
Best Visual Effects |
1982 |
ILM |
|
| AMPAS|academy|oscar |
Poltergeist |
Nominated |
Best Visual Effects |
1982 |
ILM |
|
| BAFTA |
Poltergeist |
Won |
Best Visual Effects |
1982 |
ILM |
|
| AMPAS|academy|oscar |
Raiders of the Lost Ark |
Won |
Best Visual Effects |
1981 |
ILM |
|
| AMPAS|academy|oscar |
Dragonslayer |
Nominated |
Best Visual Effects |
1981 |
ILM |
|
| AMPAS Sci-Technical Awards |
Motion Picture Figure Movier |
Won |
Technical Achievement Awards |
1981 |
ILM |
|
| AMPAS Sci-Technical Awards |
Empire Motion Picture Camera System |
Won |
Technical Achievement Awards |
1981 |
ILM |
|
| AMPAS Sci-Technical Awards |
Beam-Splitter Optical Composite Motion Picture Printer |
Won |
Technical Achievement Awards |
1981 |
ILM |
|
| AMPAS|academy|oscar |
Star Wars: Episode VI "The Empire Strikes Back" |
Won |
Special Achievement in Visual Effects |
1980 |
ILM |
|
| AMPAS Sci-Technical Awards |
Electronic Motion Control System |
Won |
Technical Achievement Awards |
1977 |
ILM |
|
| AMPAS|academy|oscar |
Star Wars: Episode IV "A New Hope" |
Won |
Best Visual Effects |
1977 |
ILM |
|
