by Lucas Seastrom | Feb 18, 2026 | San Francisco News
ILM artists Ian Milham and Shannon Thomas take us behind the scenes of a breakthrough virtual production shoot in the first of a two-part story about the 2024 Summer Olympics and 2026 Winter Olympics. By Lucas O. Seastrom American viewers of the Milan Cortina Winter...
by Lucas Seastrom | Feb 13, 2026 | San Francisco News
ILM.com is showcasing artwork specially chosen by members of the ILM Art Department. In this installment of a continuing series, three artists from the San Francisco studio share insights about their work on the 2025 mixed reality playset from ILM and Lucasfilm, Star...
by Clayton Sandell | Feb 12, 2026 | San Francisco News
ILM’s innovative approach leads the way for more than 1,700 visual effects shots, helping bring Wright’s dystopian action thriller to life. By Clayton Sandell (Credit: ILM & Paramount). When director Edgar Wright was gearing up to make The Running Man (2025) and...
by Lucas Seastrom | Feb 10, 2026 | San Francisco News
One of the biggest days in American sports is equally renowned for its iconic commercial spots. The artists from Industrial Light & Magic have contributed visual effects to two original commercials as part of the broadcast of Super Bowl LX, the celebrated...
by Jay Stobie | Feb 7, 2026 | San Francisco News
The visual effects supervisor discusses ILM’s contributions to director Ryan Coogler’s supernatural sensation, which is nominated for “Outstanding Supporting Visual Effects in a Photoreal Feature” at the VES Awards. By Jay Stobie (Credit: ILM & Warner Bros.)...
by Jamie Benning | Feb 6, 2026 | San Francisco News
ILM artists share their insights about this distinct installation now on view at Somerset House in London. By Jamie Benning The first thing visitors encounter inside Wayne McGregor: Infinite Bodies at London’s Somerset House is darkness. A vast LED screen fills the...
