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Vision & Craft

The ILM logo with "pioneering a new era of interactive entertainment"

“Seizing the Moment” – ILM Leaders Janet Lewin and Vicki Dobbs Beck on the Future of Immersive Storytelling

Industrial Light & Magic’s immersive entertainment team will be fully integrated with the rest of the company to inspire new innovations in cross-platform storytelling.

How ILM Helped Fede Álvarez Bring ‘Alien: Romulus’ Back to the Series’ Horror Roots

Visual effects supervisor Nelson Sepulveda-Fauser discusses the collaborative effort to make Alien fans scream once more.

Tim Burton’s ‘Sleepy Hollow’: Giving life to an undying legend

Heads still roll 25 years later in the Tim Burton classic for which ILM brought the iconic headless horseman to the screen.

ILM Celebrates the Career of Compositing Supervisor Jon Alexander

Alexander spent 38 years with ILM as an optical printer operator on feature films to a compositing supervisor on theme park attractions.

The Slimer animatronic head from Ghostbusters 2 on display at Lucasfilm headquarters in San Francisco.

‘Ghostbusters 2’: Pushing the Limits with Slimer

Exploring the technical innovations and behind-the-scenes stories that brought Slimer to life in Ghostbusters 2, reaching new heights in animatronics and practical effects at Industrial Light & Magic.

Netflix’s ‘Ultraman: Rising’: Building new worlds for the ultimate icon

Take a closer look at how the ILM Vancouver team built a new world of stylized action for Japanese icon Ken Sato, also known as Ultraman, and how they pushed the visual envelope with a bold aesthetic as ILM steps back into animated features with Netflix’s Ultraman: Rising.

The Hatbox Ghost in Haunted Mansion.

Director Justin Simien & ILM’s Bill Georgiou Discuss ‘Haunted Mansion’

ILM’s Sydney studio took on everything from digital creatures to CG environments for this adaptation of a beloved Disney Parks attraction.

Industrial Light & Magic’s Everlasting ‘Star Trek III’ Starship Designs

Take a deep dive into the history and lore behind the starship designs created by ILM and introduced 40 years ago in The Search for Spock.