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50 Years | 500+ Film and TV credits | 135+ Awards

SINCE 1975

“I wanted to make sure we brought the magic back to the ILM logo,” noted John Knoll, Industrial Light & Magic’s Executive Creative Director, participating in one of the dozens of interviews completed over the course of the fourteen-month rebranding project for the renowned visual effects and animation studio founded by George Lucas. 

“We wanted our new branding to pair closely with ILM’s mission statement, We are visual storytellers who create iconic moments to inspire the imagination”, explained Janet Lewin, SVP General Manager, ILM, “At ILM, we prioritize our culture of collaboration and community and we truly value innovation and quality. These core ideals allow us to confidently take risks and embrace the unknown on the challenging projects we seek out.”

Knoll was one of over a thousand ILM employees who provided input to twin sisters Amy and Jen Hood who own the Southern California brand identity and type design studio, Hoodzpah. As part of their exploration of ILM, its employees, its legacy, and its values, the interviews revealed fascinating insights into the company and how it has managed to keep both its creative team inspired and its technology on the cutting edge of innovation for nearly five decades. Knolls’ sentiment struck a chord and it became an oft-referred phrase as the Hoodzpah team collaborated with a core group of ILM leaders on how best to capture the company’s incredible legacy while building a unique identity system that would serve it well into the future.

“ILM has several different logos in the past forty-eight years,” explained Rob Bredow, SVP and Chief Creative Officer for ILM, “and all have incorporated the core elements from the company’s original logo, the famous wand-wielding magician framed by a large gear with the letters ‘ILM’ originally illustrated by Michael Pangrazio in the late 1970s and later finalized in a painting by renowned artist, Drew Struzan. The company and the industry have evolved substantially in the past eighteen years and we felt the time was right to develop a new brand identity that captured the global studio we’ve become.”

Now with six global studios—San Francisco, Singapore, Vancouver, London, Sydney, and Mumbai—ILM has not only revolutionized the field of visual effects with groundbreaking innovations in digital effects, performance capture, previsualization, and digital humans, and has most recently innovated in areas as diverse as real-time rendering, immersive entertainment, and virtual production with it’s Emmy Award-winning StageCraft platform.

Hoodzpah began the assignment by getting to know the company through individual and group interviews with key members of ILM’s leadership team and representatives of the employee base across all strata of the studio and each of ILM’s globe locations. Then came the task of distilling the information into key learnings. “It was remarkable given the sheer number of people we interviewed that there was such cohesion in terms of what the employees felt the brand represented and where they aspired to be,” said Jen Hood.

The new dynamic glyph and custom wordmark combine to draw from the company’s illustrious legacy while carrying it into the future. Amy Hood, explained, “The mark utilizes negative space within the silhouette of a gear giving the impression of a lightbulb contained within, both elements existed in the company’s original logo by Pangrazio and Struzan. We incorporated a swoosh trailing a spark of magic in the new mark which represents the global nature of ILM’s talent base and studios. Paired with the mark is the Industrial Light & Magic wordmark designed and set in a bold customized serif face evocative of the abbreviated type in the company’s original logo.” The team also developed updated logos for sub-brands ILM Art, ILM StageCraft, ILM Technoprops, and ILM Immersive (formerly ILMxLAB). The supporting visual identity uses cinematic colors inspired by ILM projects over the years, as well as bold type, and stark minimal layouts. The rebrand scope spanned deck templates, social media assets, a new homepage redesign, logo animations, swag, and more.

Now in its 48th year of existence, ILM continues to be a creative partner to storytellers and filmmakers alike. The talented artists, technicians, and production teams ensure that the company remains on the cutting edge as they continue to develop new techniques and technologies that allow audiences the world over to be immersed in the visuals and experiences the company helps to create.

Everyone at Industrial Light & Magic (ILM), has been honored to call Jean Bolte a colleague, and after 35 years she’s now leaving to pursue her own work as an artist.

Jean first arrived here in 1987 when she joined the hallowed Model Shop at ILM’s former Kerner facility in San Rafael, California. With prior experience working on puppets, models, costumes, and make-up, she was soon contributing to the fantasy adventure Willow (1988). Jean helped construct the animal puppets used in the fabled transformation sequence, where ILM employed one of its first groundbreaking computer graphics techniques, the “morph.”

After advancing to the role of project supervisor in the Model Shop, Jean was among the traditional artists to make the transition to computer graphics work in the 1990s. She became one of the principal users of ILM’s in-house digital painting software, “Viewpaint,” and ever since Jean’s input has helped inform the research and development of new toolsets.

Over the decades, Jean has played an instrumental role in everything from the creation of an all-digital Yoda for Star Wars: Attack of the Clones (2002) to the innovative, de-aging techniques in The Irishman (2019). All the while, she’s continued as a proponent of integrating traditional methods of art into her work and celebrated the value of taking inspiration from the natural world.

Jean’s passion has made her both a mentor to her colleagues and an advocate in the wider visual effects industry. In particular, she has spoken up for the continued growth of women in the field. She won a Visual Effects Society Award for her work on Deepwater Horizon (2016) along with earning many other nominations, and she has been an active member of the Visual Effects Branch of the Academy of Motion Picture Arts and Sciences.

We join the entire industry in celebrating Jean Bolte’s career. Her legacy as a friend, mentor, collaborator, and leader will continue to influence the company in countless ways. Congratulations, Jean!

Today, teams across Industrial Light & Magic (ILM) and Lucasfilm mourn the loss of our former colleague Richard Miller, who recently passed away at the age of 80.

Before he was hired at ILM in 1981, Miller worked as a freelance sculptor and jeweler, developing a unique style of sculpting characters that fused modern flair and classical elegance. Yet another in a succession of Long Beach State University alumni to join ILM, his first task was to sculpt an elaborate metal bikini worn by Princess Leia in Star Wars: Return of the Jedi (1983). The almost inflexible piece had to carefully fit actress Carrie Fisher. That unique assignment grew into an ILM career spanning nearly 30 years.

“I worked with Richard on a great many projects over the years,” says visual effects supervisor and executive creative director John Knoll, “and his warm and gentle disposition combined with his terrific talent and artistry made him always a joy to work with. I’ll miss that easy smile.”

Miller found his place in the company’s hallowed model shop, where some of the world’s most devoted artisans plied their craft on hundreds of visual effects projects. As sculptor, he contributed to dozens of films, helping make countless figures and characters.

Just some examples are serene whales in Star Trek IV: The Voyage Home (1986), the Statue of Liberty for Ghostbusters 2 (1989), the iconic helmet in The Rocketeer (1990), a rhinoceros and elephant in Jumanji (1995), and Davy Jones in Pirates of the Caribbean: Dead Man’s Chest (2006). Among many Star Wars creations, Miller sculpted towering statues for the Jedi Temple and a frieze depicting an ancient battle between the Jedi and Sith visible in Chancellor Palpatine’s office.

“Richard was the ultimate collaborator,” says creative director David Nakabayashi. “Every day on AI: Artificial Intelligence he would say, ‘What are we doing today!’ You would have very little to say as his work spoke for itself. He always made things better than you imagined. He was a true artist and loved to teach others. His workshops were always full of students who loved to learn from him and hear his stories.”

As revered as he was for his artistry, Miller was also beloved as a teacher and mentor. For years he led workshops and classes at ILM, sharing his knowledge and experience with new generations of artists. A number of Miller’s works remain in ILM’s collection, and have been admired by countless visitors to Letterman Digital Arts Center.

With an ILM career paralleling changes in visual effects as practical techniques evolved into digital ones, Miller is a shining example of how timeless artistic principles remain at the core of any artist’s work, no matter the tools or the medium.

“Richard was one of my closest coworkers, my teacher and an endearing and unique part of the model shop family,” says texture supervisor Jean Bolte. “He taught me a lot, about sculpting, about living well, and occasionally about patience, as good friends do. Farewell Richard. I’ll miss you.”

New Mumbai studio to provide full visual effects and animation services for film & television

Cassian Andor (Diego Luna) in Lucasfilm’s ANDOR, exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

Industrial Light & Magic (ILM), the award-winning visual effects division of Lucasfilm Ltd., announced today that the company is expanding its global operations. The studio, which is headquartered in San Francisco and has existing studios in Vancouver, London, Singapore and Sydney, will open a new full pipeline studio in Mumbai to gain access to the incredible talent base in the region. The Mumbai studio will be led by Kiran ‘KP’ Prasad, who was formerly head of studio at DNEG Bangalore & Chennai. Prasad will report to ILM SVP and General Manager, Janet Lewin.

Kiran Prasad, Executive in charge, Mumbai studio.

“With five global studios consistently operating at capacity and continuing to grow, the time was right for ILM to expand once again to meet the industry’s increasing demand for high-caliber visual effects,” explained Lewin. “This new full-fledged visual effects studio in India will allow us to offer even greater capacity while ensuring that we always meet the high-quality bar that our clients expect of us.” 

Rob Bredow, SVP and chief creative officer of ILM noted, “We’re excited to be building our ILM Studio in India where we can recruit the top artistic and technical talent from the visual effects industry now in India. This is the perfect time for ILM to form our sixth studio where artists will leverage our full pipeline of disciplines working across a wide variety of exciting shows – at the top quality and reliability our creative partners have come to expect from ILM.”

“ILM has always been at the forefront of technological and creative innovation in the visual effects industry and there is no better time to start our studio in India than now, as the Indian VFX industry is poised for spectacular growth in the coming years,” said Prasad. “It is exciting and an honor to be part of the ILM team at such a key moment in the VFX industry with technological developments pushing the boundaries of visual storytelling. I look forward to working with the executive team to set up the studio from the ground up, building a world-class facility, and bringing the best of the diverse Indian talent together for  an opportunity with endless possibilities.”

ILM’s last expansion effort came in 2019 with the company’s Sydney studio. That studio is currently 400 people strong and growing. Combined, the ILM global studios will grow to over 2,500 artists and will continue to offer award-winning visual effects and animation as well as concept design and development, and virtual production, with the artistry, innovation, and creative problem-solving that is the hallmark of the company. As with the other studios, ILM’s Mumbai studio will work on all projects of all shapes and sizes, including live-action and animated feature films, television, streaming, and themed attractions.

ILM will be hiring leadership, technology, support, production, and artist roles over the coming months, openings will be posted on https://www.ilm.com/careers.

The Television Academy announced its winners for the 74th Annual Primetime Creative Arts Emmy® Awards over the weekend, celebrating today’s talent and their groundbreaking work. ILM’s creative teams were honored with an award for Outstanding Special Visual Effects in a Season or a Movie for The Book of Boba Fett, alongside nominations for their work on The Witcher. This is third win for a Lucasfilm series in this category, a testament to the cutting edge work that ILM is known for.

Six-Part Docuseries Debuts Exclusively on Disney+ July 27

Disney+ released the trailer and key art for Lucasfilm and Imagine Documentaries’ “Light & Magic,” an immersive series that chronicles the untold history of world-renDisney+ released the trailer and key art for Lucasfilm and Imagine Documentaries’ “Light & Magic,” an immersive series that chronicles the untold history of world-renowned Industrial Light & Magic (ILM), the special visual effects, animation and virtual production division of Lucasfilm.

Granted unparalleled access, Academy Award®-nominated filmmaker Lawrence Kasdan takes viewers on an adventure behind the curtain of Industrial Light & Magic. Learn about the pioneers of modern filmmaking as we go on a journey to bring George Lucas’ vision to life. These filmmakers would then go on to inspire the entire industry of visual effects.  

The series is directed by Lawrence Kasdan, and the executive producers are Ron Howard, Brian Grazer, Justin Wilkes, Lawrence Kasdan, Kathleen Kennedy and Michelle Rejwan. 

All six episodes of “Light & Magic” premiere on July 27, exclusively on Disney+.

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ABOUT DISNEY+

Disney+ is the dedicated streaming home for movies and shows from Disney, Pixar, Marvel, Star Wars, and National Geographic, along with The Simpsons and much more. In select international markets, it also includes the new general entertainment content brand, Star. The flagship direct-to-consumer streaming service from The Walt Disney Company, Disney+ is part of the Disney Media & Entertainment Distribution segment. The service offers commercial-free streaming alongside an ever-growing collection of exclusive originals, including feature-length films, documentaries, live-action and animated series, and short-form content. With unprecedented access to Disney’s long history of incredible film and television entertainment, Disney+ is also the exclusive streaming home for the newest releases from The Walt Disney Studios. Disney+ is available as a standalone streaming service or as part of The Disney Bundle that gives subscribers access to Disney+, Hulu, and ESPN+. For more, visit disneyplus.com, or find the Disney+ app on most mobile and connected TV devices.

MEDIA CONTACTS

Disney+ Media Relations
Shelby Cotten
Shelby.b.cotten@disney.com

Walt Disney Studios Global Publicity
Global Publicity (NY)
Derek Del Rossi        
derek.del.rossi@disney.com

Lucasfilm Publicity
Ian Kintzle 
ikintzle@ilm.com

San Francisco and Vancouver–Production is underway in Vancouver on the ambitious upcoming
Disney+ Original series Percy Jackson and the Olympians, based on Rick Riordan’s best-selling
novels, on a newly built state of the art Stage Craft LED stage, the first of its kind in Canada. The
stage was built through a partnership with Industrial Light & Magic (ILM) and 20th  Television
which is producing the eagerly anticipated Disney Branded Television series for Disney+.

Explained by executive producer and author Rick Riordan, “The story of Percy Jackson has
such an epic scope, I was crossing my fingers we would be able to partner with Industrial Light
& Magic. “That was really the only way to do the adaptation justice and bring our visions to life.
I am over the moon that we have forged such a great relationship to give this show such a
cutting-edge look and feel. I’m sure the Olympian gods would expect nothing less!”
 
“The 20th Television team and the series producers clearly saw the value that ILM StageCraft
brings to a production and understood it to be a perfect fit for a series like Percy,” said Chris
Bannister, executive producer, ILM StageCraft. Jeff White, creative director for ILM’s Vancouver
studio, added, “With ILM’s StageCraft technology we allow filmmakers to design, light, and
shoot the digital world as they would in the practical world all integrated in front of the cast and
crew on stage. It opens up an amazing range of possibilities right before their eyes.”
 
“Working with the team at ILM has been a dream,” said 20th executive vice president of
Production Nissa Diederich. “The fans of this franchise have high expectations for the series
and we knew that we needed the most advanced production technology available, and who
better to partner with than Industrial Light & Magic? The stage we have built will be home
to Percy and potentially dozens more of our most ambitious series. It really says to our creators,
the sky’s the limit – if you can dream it, we can shoot it.”
 
Based on Disney Hyperion’s best-selling book series by award-winning author Rick Riordan,
“Percy Jackson and the Olympians” tells the fantastical story of a 12-year-old modern demigod,
Percy Jackson, who’s just coming to terms with his newfound divine powers when the sky god
Zeus accuses him of stealing his master lightning bolt. With help from his friends Grover and
Annabeth, Percy must embark on an adventure of a lifetime to find it and restore order to
Olympus. 
 
The series will star Walker Scobell as Percy Jackson, Aryan Simhadri as Grover Underwood
and Leah Sava Jeffries as Annabeth Chase. Previously announced guest stars include Virginia

Kull as Sally Jackson, Glynn Turnman as Chiron aka Mr. Brunner, Jason Mantzoukas as
Dionysus aka Mr. D, Tim Sharp as Gab Ugliano and Megan Mullaly as Alecto aka Mrs. Dodds. 
 
Riordan and Jon Steinberg serve as writers of the pilot, and James Bobin directs. Steinberg
oversees the series with his producing partner Dan Shotz. Steinberg and Shotz also serve as
executive producers alongside Bobin, Riordan, Rebecca Riordan, Bert Salke, Monica Owusu-
Breen, Jim Rowe, Anders Engström, Jet Wilkinson and The Gotham Group’s Ellen Goldsmith-
Vein, Jeremy Bell and D.J. Goldberg.

Granted unparalleled access, Academy Award®-nominated filmmaker Lawrence Kasdan takes viewers on an adventure behind the curtains of Industrial Light & Magic, the special visual effects, animation and virtual production division of Lucasfilm. Learn what inspired some of the most legendary filmmakers in Hollywood history, and follow their stories from their earliest personal films to bringing George Lucas’ vision to life. From Imagine Documentaries and Lucasfilm, and executive produced by Brian Grazer and Ron Howard, the six-part documentary series premieres exclusively on Disney+ July 27.

Phil Tippett puts the finishing touches on the Rancor from Star Wars: Episode VI – Return of the Jedi.

On Friday, May 27, attendees of Star Wars Celebration will be among the first in the world to get a sneak peek at “Light & Magic” with an “illuminating”  discussion panel featuring Lawrence Kasdan and Ron Howard, joined by VFX titans Dennis Muren, Phil Tippett, Joe Johnston and Rose Duignan, and Lynwen Brennan, Lucasfilm executive vice president and general manager.