Guided by visual effects supervisor John Knoll, ILM embraced continually evolving methodologies to craft breathtaking visual effects for the iconic space battles in First Contact and Rogue One.
The second, and final, part of an extensive look behind the scenes of the visual effects production for Lucasfilm’s pirate-themed Star Wars adventure series.
The ILM veteran and accomplished feature filmmaker enters the documentary space to tell the story of ILM and Lucasfilm’s digital filmmaking odyssey.
ILM and Lucasfilm reveal new information about the virtual and mixed reality Meta Quest experience while Celebration Japan attendees get an exclusive first look.
The first part of an extensive look behind-the-scenes of the visual effects process for Lucasfilm’s pirate-themed Star Wars adventure series.
Industrial Light & Magic visual effects supervisor Pablo Helman talks to ILM.com’s Jamie Benning about the artistry behind Wicked.
The visual effects supervisor sheds light on the process behind developing the series’ fantastical realm.
Industrial Light & Magic brings creative commotion to the creatures and New York cityscape of A Quiet Place: Day One.
Visual effects supervisor Nelson Sepulveda-Fauser discusses the collaborative effort to make Alien fans scream once more.
For Transformers one, the art department aimed to create shapes and silhouettes that appeared clean and simple from a distance, yet included intricate, purposeful details up-close, such as cut lines in the panels, smaller inset geometry, and layered panel work. Given that iconic Transformer designs often stem from their helmet shapes, the art department worked…
Make room for some stellar content and southern hospitality from Industrial Light & Magic in the heart of Texas at SXSW 2025! Find us on the schedule from March 7-15, where we are teaming up with the minds behind ABBA Voyage, alongside the Dead & Company and U2:UV’s Las Vegas Sphere experiences. We’ll explore how…
Take a closer look at how the ILM Vancouver team built a new world of stylized action for Japanese icon Ken Sato, also known as Ultraman, and how they pushed the visual envelope with a bold aesthetic as ILM steps back into animated features with Netflix’s Ultraman: Rising.
ILM’s Sydney studio took on everything from digital creatures to CG environments for this adaptation of a beloved Disney Parks attraction.
